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Female cinema: technical skill and control of the medium

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Giulia Simi describes the different relationship between female artists and the cinematographic device: between those who proudly declare themselves anti-amateur and those who instead recognise in the small-format camera an extension of their body and a possible emancipation from the dominant logics of the industrial system, there is a common need to declare themselves capable of controlling the technical medium and consequently to assert a skill that for too long has been exclusively relegated to men.
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