In the 60s Luca Ferro goes to an underground film festival with his friend Fabrizio Bettalli to attend the screening of a film by Tonino De Bernardi. Luca Ferro is impressed by the film as he realizes the possibility of using narrow gauge film with a not necessarily fiction or documentary content and to propose his own idea of cinema to an audience other than that of friends or family. That’s why Ferro started using the camera more and more.