Film practice is conceived by the filmmaker as a place to record lived experiences, not simply related to the family context. In fact, the camera should be considered as a kind of notepad that leads to fix moments that want to be immortalised and that have an importance with respect to the phase of life that the individual is living. A very interesting aspect, therefore, is the filmmaker's ability to re-appropriate canonical and cultural forms, the self-portrait in the pictorial sphere and autobiography in the literary sphere, in order to propose something new and defining new forms of writing and representation of the self.