A poetic linked to the self-representation of self and of loved ones can be found in Valentina Berardinone's film "A vista d'occhio". Jennifer Malvezzi tells us here about the importance of this film in reference to the relationship the artist had with feminist collectives and her choice to abandon them. In fact, the film highlights a practice of questioning the statute of the militant feminist struggle of the time, which Berardinone stimulates by filming and demonstrating how it was not possible, within these circles, to tell one's story and really be heard.