Referring to the project "Fuorinorma: La via neo-experimentale del cinema italiano" (Fuorinorma: The neo-experimental way of Italian cinema), Adriano Aprà dwells on the criticalities of the industrial mechanisms of film production, arguing the need for a reduction of productions and greater attention to the advantages that the democratisation of cinema, possible through the accessibility of new technologies, can produce in terms of experimentalism and artistic production.